The History Of Rock 1977
Uncut History Of Rock
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After the widely-publicized stirrings of the Sex Pistols at the close of 1976, punk rock has now become more than a media sensation. It is a widespread discussion, talked about in political, and increasingly even in musical terms. Bands like the Clash, Stranglers and Sex Pistols are actually releasing albums.
Mick Jagger has checked out the bands in New York and listened to the singles (“Chelsea, ‘Right To Work’ – that one’s awful”). Keith Moon makes a riotous trip to The Vortex club, to confront punk rock head on. Robert Plant, who has seen the Damned at the Roxy, is unconcerned. “The dinosaurs,” he memorably says, “are still dancing…”
Still, they are a little on the defensive side. Plant seems anxious to downplay punk’s youth, claiming Rat Scabies and Johnny Rotten are older than they look. They’re not - indeed Plant himself is only 28 - but generationally-speaking he may as well be a cabinet minister. He is professionally expert and enormously wealthy, but in this changed musical economy, this only contributes to his irrelevance.
His discomfort is not soothed by the press. Punk doesn’t only politicize youth and revolutionize how records are made, it also effects change in music papers, which become bolder in layout, more irreverent in tone. Features by staff writers like Tony Parsons contain important interviews with bands like our cover stars The Clash – but these only support the main thrust of his communiqué.
This is the world of The History Of Rock, a monthly magazine which follows each turn of the rock revolution. Whether in sleazy dive or huge arena, passionate and increasingly stylish contemporary reporters were there to chronicle events. This publication reaps the benefits of their understanding for the reader decades later, one year at a time. Missed one? You can find out how to rectify that on page 144.
In the pages of this thirteenth edition, dedicated to 1977, you will find verbatim articles from frontline staffers, filed from the thick of the action, wherever it may be. In court with Keith Richards. Looking at the Westway with the Clash. Being called a wanker with Keith Moon.
It is Moon, in fact, who best articulates the anxieties of his generation of musician in 1977 when he reveals to a young punk in the Vortex a simple biographical fact.
“I’m 30,” he says.